View credits, reviews, tracks and shop for the 2002 CD release of The Best Of INXS on Discogs. View credits, reviews, tracks and shop for the 2002 CD release of The Best Of INXS on Discogs.
Contents.Track listing The album was released in three formats; a single-disc version, a double-disc version and a double-disc version with a DVD. Byrnes, Holly (2 February 2014). Retrieved 17 February 2014. The Sydney Morning Herald. The Official NZ Music Chart. Recorded Music NZ. Retrieved 29 August 2014.
Retrieved 17 February 2014. Retrieved 17 February 2014. Australian Charts.
Retrieved 17 February 2014. Gavin Ryan (25 April 2015). Retrieved 25 April 2015. Retrieved 17 February 2014. Retrieved 2 January 2015. Retrieved 24 September 2016.
Archived from on 7 January 2014. Retrieved 5 March 2014. Australian Recording Industry Association. Retrieved 5 March 2014. 7 January 2015. Retrieved 9 January 2015.
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Retrieved 6 January 2016. Australian Recording Industry Association. Retrieved 6 January 2017. Australian Recording Industry Association.
Retrieved 5 January 2018. Australian Recording Industry Association. Retrieved 10 January 2019. 29 August 2016. Retrieved 27 August 2016.
Retrieved 12 March 2012. Besplatno skidanje muzike bez registracije. Select albums in the Format field. Select Gold in the Certification field. Type The Very Best in the 'Search BPI Awards' field and then press Enter.
Sleek yet spiky, INXS built their sound around glistening synthesizers, rapier guitar jabs and bursts of angular sax. Most of all, this Australian combo was defined by the late Michael Hutchence’s insinuating, dark-edged vocals. INXS sometimes aimed too wildly in their mid-to-late ‘80s heyday, but this best-of collection shows how good they were when they hit their targets.
The band established itself with slick, hard-slamming numbers like “The One Thing” and “Original Sin,” then deepened its gravitas with such brooding, atmospheric tunes as “Listen Like Thieves.” Hutchence began to master his commanding lower range, bringing an ominous gospel-like fervor to “What You Need” and “Never Tear Us Apart.” “Devil Inside” recalls Jim Morrison in his shamanic phase, while “Suicide Blonde” invited comparisons with Roxy Music at their funkiest. After the hits began to dwindle, INXS rode out a mid-‘90s slump, then endured the tragic loss of Hutchence in 1997 before recruiting new frontman J.D. Fortune through a televised audition. Now that the hype and heartache swirling around this star-crossed band has passed, what remains is a visceral, revelatory body of work, the best of which is gathered here.
Sleek yet spiky, INXS built their sound around glistening synthesizers, rapier guitar jabs and bursts of angular sax. Most of all, this Australian combo was defined by the late Michael Hutchence’s insinuating, dark-edged vocals.
INXS sometimes aimed too wildly in their mid-to-late ‘80s heyday, but this best-of collection shows how good they were when they hit their targets. The band established itself with slick, hard-slamming numbers like “The One Thing” and “Original Sin,” then deepened its gravitas with such brooding, atmospheric tunes as “Listen Like Thieves.” Hutchence began to master his commanding lower range, bringing an ominous gospel-like fervor to “What You Need” and “Never Tear Us Apart.” “Devil Inside” recalls Jim Morrison in his shamanic phase, while “Suicide Blonde” invited comparisons with Roxy Music at their funkiest. After the hits began to dwindle, INXS rode out a mid-‘90s slump, then endured the tragic loss of Hutchence in 1997 before recruiting new frontman J.D.
Fortune through a televised audition. Now that the hype and heartache swirling around this star-crossed band has passed, what remains is a visceral, revelatory body of work, the best of which is gathered here.